In many parts of the world the white man is perceived to be an instigator of globalization and an embodiment of modernity. However, so far anthropologists have paid little attention to the actual heterogeneity and complexity of whiteness in specific ethnographic contexts. This study examines cultural perceptions of other and self as expressed in cargo cults and masked dances in Papua New Guinea. Indigenous terms, images, and concepts are being contrasted with their western counterparts, the latter partly deriving from the publications and field notes of Charles Valentine. After having done his first fieldwork more than fifty years ago, this anthropological ancestor has now become part of the local tradition and has thus turned into a kind of mythical figure. Based on anthropological fieldwork as well as on archival studies, this book addresses the relation between western and indigenous perceptions of self and other, between tradition and modernity, and between anthropological ancestors and descendants. In this way the work contributes to the study of whiteness, cargo cults and masked dances in Papua New Guinea.

Holger Jebens is Adjunct Professor at the Department of Social and Cultural Anthropology of Goethe University, Senior Research Fellow at the Frobenius Institute and Managing Editor ofPaideuma. He spent many years doing fieldwork in highland and seaboard Papua New Guinea. His publications includeCargo, Cult, and Culture Critique (Hawaii University Press, 2004),Pathways to Heaven (Berghahn Books, 2005), andThe end of Anthropology (co-ed., Sean Kingston Publishing, 2011).

List of maps and figures
Acknowledgements

Chapter 1. Introduction
Chapter 2. Valentines Kivung
Chapter 3. Present-day memories
Chapter 4. Indigenous interpretation
Chapter 5. Indigenous perceptions of other and self
Chapter 6. Anthropological perceptions of other and self
Chapter 7. Subjects and objects

Appendices
Glossary
References
Index