Performing Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves. Fifty-five celebrated artistssingers, pianists, violinists, cellists, flutists, horn players, oboists, composers, conductors, and jazz greatsprovide interviews that encompass most of Western music history, from the Middle Ages to contemporary classical music, avant-garde innovations, and Broadway musicals.

The book covers music history through lenses that include authentic performance, original instrumentation, and social context. Moreover, the musicians interviewed all bring to bear upon their respective subjects three outstanding qualities: 1) their high esteem in the music world as immediately recognizable names among musicians and public alike; 2) their energy and devotion to scholarship and the recovery of endangered musical heritages; and 3) their considerable skills, media savvy, and showmanship as communicators. Introductory essays to each chapter provide brief synopses of historical eras and topics. Combining careful scholarship and lively conversation,Performing Music History explores historical contexts for a host of fascinating issues.

John C. Tibbetts is Associate Professor of Film and Media at the University of Kansas, USA. He is the author ofThe Gothic Imagination, Composers in the Movies, Schumann: A Chorus of Voices, Dvoák in America, andThe Encyclopedia of Novels into Film.

Michael Saffle is Professor of Music and Humanities at Virginia Polytechnic Institute and State University, USA. His eight books includeThe Music of Franz Liszt: Stylistic Development and Cultural Synthesis (2018), and he also writes about music in film and on television.

William A. Everett is Curators Distinguished Professor of Musicology at the University of MissouriKansas City. He is co-editor ofThe Cambridge Companion to the Musical and author ofMusic for the People: A History of the Kansas City Philharmonic Orchestra, 1933-1982.

1. Introduction.- 2. Medieval and Early Modern Music.- 3. Late Baroque Music.- 4. A Clutch of Instruments.- 5. Classical and Early Romantic Music.- 6. The Romantic Piano.- 7. From Romanticism Toward Modernism.- 8. The Art of The Accompanist.- 9. Musical Multiplicities in The Twentieth And Twenty-First Centuries.- 10. On Stage And Screen.- 11. Engaging Audiences.