Throughout Germanys tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval.The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photographys multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.

Jennifer Evans is Professor of Modern European History at Carleton University in Ottawa Canada. She has co-edited several books on same-sex desire in twentieth-century Europe, includingQueer Cities, Queer Cultures: Europe since 1945 (2014) andWas ist Homosexualität? (2014), in addition to her monographLife among the Ruins: Cityscape and Sexuality in Cold War Berlin (2011). She recently edited a special issue ofGerman History entitled Queering German History.

List of Illustrations
Acknowledgements

Introduction: Photography as an Ethics of Seeing
Jennifer Evans

Chapter 1. Thoughts on Photography and the Practice of History
Elizabeth Edwards

Chapter 2. Seeing the Savage and the Suspension of Time: Photography, War and Concentration Camps in South West Africa, 1904-1908
Claudia Siebrecht

Chapter 3. The Face of War in Weimar Visual Culture
Annelie Ramsbrock

Chapter 4. DocumentingHeimkehr: Photography, Displacement and Homecoming in the Nazi Resettlement of Ethnic Germans, 1939-1940
Elizabeth Harvey

Chapter 5. Visible Trophies of War: German Occupiers Photographic Perceptions of France, 1940-44
Julia Torrie

Chapter 6. Gazing at Ruins: German Defeat as Visual Experience
Stefan-Ludwig Hoffmann

Chapter 7. Edmund Kestings Polyphonic Portraits and the Abstract Face of the Socialist Self in East Germany
Sarah E. James

Chapter 8. Seeing Subjectivity: Erotic Photography and the Optics of Desire
Jennifer Evans

Chapter 9. Photographing Reurbanization in West Berlin, 1977-84
Anna Ross

Chapter 10. The Diversification of East Germanys Visual Culture
Candice M. Hamelin

Chapter 11. The Intimacy of Revolution: 1989 in Pictures
Paul Betts

Epilogue: Hope Flies, Death Dances: Moving Toward an Ethics of Seeing
Julia Adeney Thomas

Index